Even though Panic! At the Disco had yet to play a live show, they subsequently became the first band signed to Wentz's label.

After tiring of playing another group's material, they recruited two additional classmates, guitar/vocalist Brendon Urie and bassist Brent Wilson, and the newly formed quartet decided to model its name after a line in Name Taken's 'Panic.'Д¬rafting pop-influenced songs with theatrical touches, quirky techno beats, and perceptive lyrics, Panic! At the Disco posted several demos online that caught the attention of Decaydance Records, the Fueled by Ramen imprint headed by Fall Out Boy's Pete Wentz. The band had materialized several years earlier, when friends Spencer Smith (drums) and Ryan Ross (guitar) began covering blink-182 tunes together. The members of Panic! At the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. Indeed, '80s synths and dance beats are a good fit for 's voice, and though the band sticks closer to its roots than emo class president - whose own delvings into synthesizer pop nearly reach levels of '90s European techno - paints an exciting picture of 's genre-bending career trajectory to come.

Tracks like 'Nicotine' and 'Collar Full' even retain much of the anthemic rock bombast of the band's early work, despite the underlying dancefloor intimations coming from the rhythm section and synthesizers. Whether it's the of 'Girls/Girls/Boys' or the malevolent pounding of 'Girl That You Love,' never settles too deeply into just one sound. That said, clearly have never been overly interested in pigeonholing themselves into just one genre, and their latest release does nothing to counter the band's reputation as pop mavericks. Ever since the original lineup of split in half just after the release of their -influenced sophomore album, and have carried the emo torch, finding new ways to keep their specific brand of high-energy, emotionally overwrought pop relevant to to whatever sound is happening in mainstream pop music.

Picking up where they left off on the synth pop and '80s new wave direction of their 2011 album, return with their fourth studio album, 2013's Still focused around the songwriting duo of lead singer and drummer, also feature bassist, who joined as a full-time member in 2010. Find album reviews, stream songs, credits and award information for Too Weird to Live, Too Rare to Die! At the Disco on AllMusic - 2013 - Picking up where they left off on the synth pop&hellip. Band returned with Too Weird to Live, Too Rare. Too Weird To Live, Too Rare To Die Panic! At the Disco. This song is the second single from Panic! At the Disco's fourth album, вЂњToo Weird to Live, Too Rare to Die!вЂќ released on August 2013. Two years later, the band returned with Too Weird to Live, Too Rare to Die! Once again produced by Walker, the album was inspired by Urie's hometown of. Subsequently, 2011's Vices & Virtues furthers Panic! At the Disco's fascination with.

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